“… Elvis as a cultural icon, a transcendental outside-time entity with mythological and sociological ramifications… ‘altered slightly’ with mixing in of Olmec chants.”
—Brian McTavish, The Kansas City Star
“We deal with Elvis as a cultural icon, as a kind of transcendental outside-time entity with
mythological and sociological ramifications,” Dwight Frizzell said…The program’s Elvis
music will be ‘altered slightly’ with mixing in of Olmec chants, Peruvian instrumentation
and ‘musique concrete,’ which Frizzell called ‘tape manipulated sounds from the
environment.’ Get ready Elvis, wherever you are.”–Brian McTavish, The Kansas City
Star
