Pharrell's cluttered "pro woman" campaign reaches its zenith with the remarkably disingenuous video for "Come Get It Bae" By Jared
Willie Nelson's set to a sold-out crowd at Starlight Theatre was gloriously unceremonious. By Jared McNett
Indie folk outfit Bon Iver's first new effort, "Heavenly Father", is an aching, stuttering effort of great uncertainty.
On the rousing new single "The Bullfighter Dies", indie legend Morrissey's well of sympathy has run dry and he's left celebrating the tragedy of another. By Jared McNett
Woods' quietly aching "Tambourine Light" engenders comparisons to the Byrds while traveling its own shimmering path. By Jared McNett
Kansas City artist Chris Shelton's 'Small Victories' EP paves its own lane in a crowded post-rock genre and takes its time doing it. By Jared McNett
Hannibal, MO electronic-artist L3thargic1's "Rooney Mara" is dreamy glitch music that leisurely skips to wherever it wants to go. By Jared McNett
Angel Olsen’s foot-stamping, heartbreaking set a Kansas City’s tightly packed Riot Room was one of blissful contradictions.